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With the Right Camera Gear, Anyone Can Shoot An Amazing Time Lapse Video.

Time lapse video is a wonderful storytelling device. It speeds up action so things that normally take a long time can be viewed in seconds. Motion that is slow or imperceptible can be sped up dramatically. For example, you can watch flowers bloom, buildings being constructed, or shadows changing with the sun’s motion.

Here are my 10 Useful Tips for Shooting Time Lapse Video:

1. Plan the Shot Before You Begin

First, let’s go over the basics. To create a time lapse video, you aren’t shooting video at all—you’re shooting a series of still photographs, and then turning those photos into video frames. The subtle differences between those frames is what creates motion.

So in planning the shot, what do you want to achieve? Do you want to make clouds roll across the afternoon sky? Car lights at night motion-blur into red and white lines?

Also, think about the angle of the camera. Will pedestrians or traffic be moving in front of you? Obviously, it’s better if they don’t block the shot.

Time lapse shots with people tend to have frenetic motion. Depending on the interval settings, they may look like they’re walking fast, or disappear into a blur.

Shooting time-lapse video is easy when you know how.

2. Use the Right Camera

There are many different cameras available that shoot high-quality video. Some of them have time lapse functionality built right in.

My Panasonic GH5, for example, enables me to set up a time lapse shot, click the shutter once, and walk away. It will continue snapping pictures at whatever interval I set.

Then, once shooting is complete, it will convert that set of images into a video file.

That makes my job a lot easier. If your camera does not have time lapse functionality, there are devices you can buy that plug into your camera and control the interval and picture snapping. There’s also software you can buy that converts photos into video.

3. Shoot 4K If Possible

Shooting 4K isn’t about the image quality, it’s about the size. When you’re editing a 1080p video, 4K footage is literally TWICE the size you need. That means you can add motion to the shot—slowly zoom in or out, or pan across.

That gives you a lot of flexibility when editing.

4. Use Manual Settings

Most experienced shooters use manual settings—no auto focus or auto exposure for us. But when shooting time lapse video, using manual settings is even more important.

As time goes by and light changes, your camera will not adjust settings in exactly the same way.

So the photos won’t be consistent in their focus or exposure. This can cause your time lapse to flicker.

As the light level goes down, opening up the aperture lets you continue shooting a time-lapse video.

Also, if you’re shooting time lapse video at night, longer exposure settings can add some interesting blur and lighting effects. But of course, the exposure can’t be longer than the time lapse interval.

5. Use a Tripod

For time lapse to work, the camera has to remain in EXACTLY the same position, sometimes for hours at a time. The only way to achieve this is with a tripod.

Even then, you have to be careful not to touch the camera. The tiniest shift or pan will show up in the footage.

6. Use a Fully Charged Battery

I think this is a corollary to Murphy’s Law. If you spend an hour shooting a time lapse sunset, your battery light will start blinking before the sun goes completely down.

Corollary number 2: the better the sunset, the more likely the battery will die.

Another tip for shooting time-lapse video is putting the camera where nobody will walk by.

7. Set the Right Interval

This is perhaps the most important point. The interval you set between shots will determine the speed of motion in the final video. But it isn’t one-interval-fits-all.

For example, if you’re shooting clouds on a windy day, and you can see they’re moving briskly, then your time lapse interval may be one shot per second.

But if it’s a calm day, and the clouds seem still, then your interval may be one shot every 10 seconds.

If you’re capturing the sun’s motion, or shifting shadows, you’ll need an even longer interval—one shot every 30 seconds.

Rule of Thumb: Shorter intervals are better. You can speed up time lapse footage in post, but slowing it down will look jerky.

8. Use the Right Lens

The lens you choose will dramatically affect the impact of your final shot. For example, if you’re shooting a sunset, your first inclination may be to use a wide-angle lens to capture more of the sky. But in reality, a longer lens will give you a much better view of the sunset color and silhouetted clouds.

If you’re shooting at night or in low light, a faster lens will open up more shooting possibilities. But be careful—the more you open up a lens, the more you’ll need to check focus and depth of field.

A fish-eye lens can add an interesting effect. If you’re shooting clouds, for example, you can distort the image so the middle of the shot looks normal, but the edges are curved and convex.

9. Use an ND Filter 

Anytime you’re shooting the sun, you have to be careful not to overexpose the shot. You can adjust aperture as well as ISO, but in some instances, that just isn’t enough.

An ND filter, or variable ND filter, gives you another good way to block out excess light. They are especially handy when you want to adjust depth of field and blur the background.

10. Time Lapse Video Takes Time

Depending on the interval settings, a time lapse video can take several minutes to shoot, or a couple of hours. So you need to be prepared to wait.

At 24 frames a second, a ten-second time lapse will require 240 shots. So how long will that take? Well, if you’re using a 3 second interval, that’s only 12 minutes. But a 10-second interval will stretch it to 40 minutes. A 30-second interval will take 2 hours.

And if you’re like me, you’re not going to leave an expensive camera unattended. So be prepared. Have a chair to sit in. A good book. Video games on your phone. And plenty of water.

ABOUT THE AUTHOR

Harry Hayes is the owner and executive producer at Content Puppy Productions. Before starting his business, he spent 20+ years as an advertising writer and creative director.

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